The Silas Hunt Memorial Sculpture stands near Old Main Wednesday morning on the University of Arkansas campus in Fayetteville.
Photo: Todd Gill
A sculpture honoring Silas Hunt, the first African-American law student at the University of Arkansas, was dedicated on the UA campus last week.
The Silas Hunt Memorial Sculpture, located between Old Main and the Academic Support Building, was created by University of Central Arkansas professor of art Bryan Massey Sr.
The sculpture is the first work of art commissioned by the university’s Public Art Oversight Committee, a group formed in 2009 as part of a major drive to increase the amount of art on display in outdoor areas throughout campus.
“We have a responsibility as the state’s flagship university to create a cultural experience for students, alumni and visitors,” said UA Chancellor G. David Gearhart. “The Northwest Arkansas region has become an international art destination, and the university should be a part of the pilgrimage.”
The nine-foot-tall sculpture is made of limestone and steel, and includes two bronze medallions – one that shows Hunt next to a sign that reads, “The University of Arkansas,” and another that depicts the university’s Academic Support Building where the law school was located when Hunt attended in 1948. Four black metal markers stand near the monument, three topped with gold plaques that tell the story of Hunt’s brief enrollment at the university.
Silas Herbert Hunt
Hunt, a decorated World War II veteran from Texarkana, enrolled in the University of Arkansas School of Law in February 1948. He completed one semester of classes before becoming ill and withdrawing from school. He died the next year from tuberculosis, aggravated by injuries he received during the war. Hunt’s admission to the university began the process of integration at the University of Arkansas and in colleges and universities across the southern United States.
Silas Hunt’s legacy can be found around campus in many ways. In 1993, Silas Hunt Hall was named. This building, located on Maple Street, is home to the university’s office of admissions, the Registrar’s office, the student accounts office and the office of financial aid. The Silas Hunt Scholarship Program, started in the fall of 2004, is a four-year academic scholarship that includes a comprehensive academic support program involving monthly meetings, peer mentoring and social resources for the scholarship recipients.The university’s Silas Hunt Legacy Award, introduced in April 2006, recognizes individuals for their significant achievements or contributions to the community, the state and the nation. Also in 2006, Silas Hunt: A Documentary premiered, a biographical film commissioned by Donnie Dutton, the former dean of what is now the Global Campus. In March 2011, the university dedicated the Silas Hunt Memorial Room in the Arkansas Union. This was the realization of a plan to promote diversity within the building.
Bryan Massey Sr.
Massey is primarily a stone carver who works with a variety of stone including alabaster, soapstone, limestone, marble and granite. He also casts iron, bronze and aluminum as well as working in the fabrication of steel sculptures.
He was recently selected as one of 84 artists nationally for inclusion in a new book called “Studios and Work Spaces of Black American Artists.” His most recent work, The Jazz Player, was selected and presented to former President Bill Clinton for the celebration and commemoration of the fifth-year anniversary of the Clinton Library in Little Rock in November 2009. It is now located in the Little Rock Sculpture Garden. A native North Carolinian, Massey has in Arkansas since 1988 with his wife of 26 years, Delphine. They have two daughters and one son. His work is exhibited internationally, nationally and regionally.
Text from the plaques near the sculpture
Silas Herbert Hunt pioneered the integration of higher education in Arkansas and the South, enrolling at the University of Arkansas School of Law in 1948 and becoming the first African-American student to successfully seek admission to a southern university since reconstruction. Hunt was born to Jessie Gulley Moton and R.D. Hunt on March 1, 1922, in the community of Red Bluff near Ashdown, Arkansas. He earned distinction as president of Booker T. Washington High School in Texarkana and graduated as Class Salutatorian in 1941. Hunt enrolled in the Agricultural, Mechanical, and Normal College at Pine Bluff, now known as the University of Arkansas at Pine Bluff, but his studies were interrupted when he was drafted into the U.S. Army during the second world war. He served with construction engineers in Europe for nearly two years before being wounded at the Battle of the Bulge. Returning to the United States, he finished his bachelor of arts in English in 1947. Although Hunt had been accepted for admission at the University of Indiana, he was inspired to change course by a classmate, Ada Lois Sipuel, who was then pursuing legal action to overturn the University of Oklahoma’s policy against admission of black students. Hunt decided to seek admission to the University of Arkansas. On February 22, 1948, Hunt – accompanied by classmate Wiley Branton, attorney Harold Flowers, and photographer Geleve Grice – met with Robert Leflar, dean of the University of Arkansas School of Law, who reviewed Hunt’s academic record and admitted him into the law school. Hunt’s instruction was initially segregated from white students, although white students often sat in on his class. By mid-summer of that year Hunt had contracted tuberculosis, and he died nine months later on April 22, 1949, at the Veteran’s Hospital in Springfield, Missouri. He is buried at Stateline Cemetery in Texarkana. Campus officials described Hunt as a confident and intelligent student whose sensitive way of dealing with others dampened the embers of conflict before they gained flame. His pioneering achievement soon led to the admission of other African-American students at the University of Arkansas and set in motion the eventual racial integration of universities across the southern United States. In honor of his achievements, the University of Arkansas awarded Hunt a posthumous law degree in 2008 and created a legacy award to recognize the achievements of African-American alumni, faculty, and staff who have contributed significantly to the betterment of Arkansas and the nation.






Nice gesture, but I have to say that sculpture is ugly. The bronze-work is especially poorly done.
Are you judging from photos or have you seen the work in person? What specifically is meant by poorly done? Are you a bronze caster and talking about technical issues or do you have a problem with composition or rendering? Bryan Massey does great work and though I haven’t yet seen this particular sculpture in person but I think your comment is unnecessary and possibly uninformed and certainly an inarticulate personal opinion.
I have seen it in person. First, the artwork looks child-like. Second, the texture makes it look as if its made of modeling clay and might flake off.
My opinion is just my opinion. I don’t think you know what the word “inarticulate” means. Your last sentence is a masterpiece, btw.
“think your comment is unnecessary and possibly uninformed and certainly an inarticulate personal opinion.”
@ed
Guess you’re new to the Flyer.
Ed, I agree with you. Those who can’t or won’t often (and harshly) criticize.
I like the way you prove your point.
I liked Caroline’s Fayetteville Beautiful logo.
I thought it was my job to say disparaging things about public art installations?
Perhaps the bronze work would have looked better on a sunny day, but these photos make it look a little unfinished and lacking in subtlety.
I am happy to have more art on campus. I like the form of the sculpture, and would be interested in learning about its symbolism. I also love the pyramidal pedestal. Those informational plaques, however, should have been imbedded in the concrete near the sculpture. The bronze reliefs definitely have a folk-art look which I appreciate. It looks like a person made it. I do think they look out of place with the smooth curves and rigid lines of the rest of the piece.
It would be pretty keen if the University of Arkansas had a sculpture collection on campus such as the ones at Stanford, Iowa State and Wichita State University. Of course the U of A is a big “party school”, so it is probably not a good idea to tempt fate by having a lot of sculptures on the campus.
I hope to see more artwork, too. Maybe the new “campus walk” area will become an area for more sculpture. The Born to Lead sculpture is in the same general area, as well as the Fulbright statue and the Peace Fountain. I guess there is quite a collection already started in that section of campus now that I think about it.
I agree about the informational plaques, seems like an odd placement for them.
Arkansas people should learn about Silas Hunt, his life & times at UA.
More public art is also beneficial for society. This is an excellent gesture. As a graduate of UA School of Law, I am proud to see this.
I would also like to compliment Fayetteville Flyer again on the excellent reporting. You don’t see this depth of presentation — with hyperlinks, quotations, artist bio, and multiple color photographs and detail images — in any other media outlet, bar none. The Flyer is superior to the statewide daily newspaper, and any-all local TV news, in this respect, and I appreciate the effort.
Just looking at the photographs, the bronze work seems to have a sort of “folk art” aesthetic. “Folk art” to me implies “primitive”, “crude”, etc. Maybe that’s what the artist was going for.
I’m sorry but that looks terrible. Ugly and cheap. Sorry to be harsh but I think there is a definite lack of taste in whomever makes these sort of decisions on campus. For one thing, what about this sculpture relates to/complements/contrasts with ANYTHING in the immediate area? It looks so out of place! The materials are completely random, not to mention the cheap looking modular pavers that they put around the sculpture. UGH, the U of A is so damn disappointing sometimes.
Back when I was casting bronze for fun, I always wondered what people who had never dealt with the medium in that intimate way would have to say on it. I’m delighted to see that my previous wonder has been answered by eager critics looking to share the joys of detailed bronze work.
There is an example of incredibly detailed, smooth and well-executed bronze sculpture not 200 yards to the southwest of this installation. I think the artist here excels in symbolism, and the piece might have worked better without the bronze plaque or the informational bollards. The overall impression I had when I first viewed the piece was that the bronze work betrayed a weakness in the area of artistic details and subtlety. It just looks sloppy, like there was difficulty removing the plaque from the molds. Kudos to the kind-hearted who generously peg this as “folk-art”.
If only Mr. Massey had been casting bronze for fun.
I would not recommend getting intimate with molten bronze.
At least it’s better than those gawd awful pigs.
You know the Razorback sculpture in The Gardens isn’t even bronze. It looks like bronze from a distance, but its actually a foam and wire sculpture, covered in plastic and painted to look like bronze. Embarrassing….
Art is very very subjective, so you’re going to love it or hate it–that’s just how it goes. I for one am glad that there isn’t another statue, maybe in 50 years we’ll have more art on campus that’s a little more diverse and unique. Everything doesn’t need to look like everything else.
I am a metal artist and I know first hand what it is to create a large piece of art and hope that the public enjoys the finished product. I think this sculpture is beautiful and most likely represents exactly what the University asked for. I feel it is very well done and obviously the negative comments are coming from people who have no clue what its like working with these meduims. I kind of wish that you would post a picture of a 9ft sculpture you have done so I can criticize. I guess, you can’t always please everyone.
RE “obviously the negative comments are coming from people who have no clue what its like working with these meduims.”
That isn’t obvious at all. Further, some of the comments refer to other sculptures in metal in such a way as to show some discernment in the commenters’ appreciation of the medium. Art is not usually created only for practitioners of its medium, and it’s silly to think that only artists are qualified to express opinions about art or its execution.
RE “I kind of wish that you would post a picture of a 9ft sculpture you have done so I can criticize.”
Not that the size of the sculpture is relevant (and the bronze elements are— what, twenty inches in diameter?) but see https://www.facebook.com/photo.php?fbid=1121990700865&set=a.1121990500860.2018958.1560022030&type=3&theater
This is the only photograph I have of the pipe jungle sculpture in my yard in Wichita. It covered about forty square feet and some of the pipes were twelve to fourteen feet tall. Have at it. (The Studebaker in the background, a fine metal sculpture in its own right, is the work of Raymond Loewy and Brooks Stevens.)
See also https://www.facebook.com/photo.php?fbid=1480620586388&set=a.1480514023724.2062260.1560022030&type=3&theater
Another of my metal sculptures; this one is eighty feet long. I live in it. (The ceilings are nine feet, as you specified.) Again, have at it.