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Posted by: By Roger Barrett

FLYER Q&A: Burned Up Bled Dry returns for show at Smoke & Barrel on June 25

  • By Roger Barrett · Thursday, Jun 23, 2022

Burned Up Bled Dry returns to Fayetteville for a show at Smoke & Barrel Tavern with Bones Of The Earth and Stress Dream.

FLYER Q&A: Modeling to play album release party at George’s on May 27

  • By Roger Barrett · Thursday, May 26, 2022

Modeling continues their cinematic art punk on Somewhere Before, which very much sounds like a labor of love.

FLYER Q&A: Jess Harp to play EP release show in Fayetteville on May 7

  • By Roger Barrett · Tuesday, Apr 19, 2022

Fayetteville songwriter Jess Harp will soon release his debut EP, and one listen to his song ‘Nick Drake’ will hook you.

FLYER Q&A: OKC band stepmom to perform in Fayetteville with Modeling and Witchsister on March 16

  • By Roger Barrett · Tuesday, Mar 15, 2022

stepmom are starting to explode regionally and this will be their first time in Fayetteville.

FLYER Q&A: Squirrel Flower to perform with Tenci on March 3 in Fayetteville

  • By Roger Barrett · Thursday, Mar 3, 2022

Written before the pandemic, Squirrel Flower’s record Planet(i) is a gorgeous and moody exploration on disasters and how we get through them.

FLYER Q&A: Nashville-based Katy Kirby set to perform in Fayetteville on Feb. 18

  • By Roger Barrett · Monday, Feb 14, 2022

Kirby’s new album is a concise listen that takes big chances. It’s rare to hear a record without a wasted moment, especially a debut.

FLYER Q&A: L.A.-based harpist Mary Lattimore to perform in Fayetteville

  • By Roger Barrett · Tuesday, Dec 7, 2021

In addition to her own records, Lattimore has recently released a collaborative record with Mac McCaughan of Superchunk, and contributed harp to records by Kurt Vile, Thurston Moore, Sharon Van Etten and Hop Along.

FLYER Q&A: Bones Of The Earth preps new record for April release

  • By Roger Barrett · Thursday, Mar 4, 2021

It’s no secret that the band is among Fayetteville’s best – and certainly the heaviest.

FLYER Q&A: Fayetteville expat Tony Presley laser-focused on growing Austin-based record label

  • By Roger Barrett · Thursday, Feb 18, 2021

Presley’s record label has just released new records from Buck Meek (of Big Thief), Sun June, and Katy Kirby.

FLYER Q&A: Modeling preps new single release ‘Nothing Unexpected’

  • By Roger Barrett · Friday, Jan 29, 2021

Yes, it’s that good. One of the best I’ve heard from a Fayetteville band.

FLYER Q&A: Nick Shoulders returns home, preps new album and label

  • By Roger Barrett · Friday, Dec 11, 2020

After some time in New Orleans, Shoulders is back in Fayetteville. He’s got a new solo record on the way, and a new record label.

FLYER Q&A: Strong start turns to sidelined year for locals White Mansion

  • By Roger Barrett · Monday, Nov 30, 2020

At the beginning of the year, locals White Mansion released their debut record and were on the verge of big things.

FLYER Q&A: Arkansas rockers DOT to celebrate new album with virtual event on Nov. 7

  • By Roger Barrett · Tuesday, Nov 3, 2020

The best songs open doors, and DOT have always built exciting and tangible portals with vibrant worlds inside.

FLYER Q&A: The Messthetics to play at George’s with Or on Dec. 9

  • By Roger Barrett · Sunday, Dec 8, 2019

The Messthetics is the new band from former Fugazi rhythm section Brendan Canty and Joe Lally.

FLYER Q&A: Laura Stevenson to play with Adult Mom at George’s Majestic Lounge on Dec. 10

  • By Roger Barrett · Wednesday, Dec 4, 2019

Laura Stevenson’s The Big Freeze is a masterful record that is undoubtedly her best, and rare in the way that it demands to be heard in its entirety.

FLYER Q&A: Fayetteville’s White Mansion ready to do big things

  • By Roger Barrett · Tuesday, Jun 11, 2019

The band’s thick and lived-in sound is instantly gripping, and nuanced enough to require further listening.

FLYER Q&A: BRONCHO at George’s Majestic Lounge March 28 with The Good Fear and The Phlegms

  • By Roger Barrett · Friday, Mar 22, 2019

Last year, BRONCHO released Bad Behavior, a record that blended both versions of the band into its best record yet.

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